Carly Pearce says her song about sex and Jesus was “a bit scary” to share with her inner circle

Carly Pearce is addressing the creative risk behind one of her songs from her fifth studio album, “Honest Woman,” saying that a track blending sexual themes with faith felt “a bit scary” to her inner circle when it was being developed.

Pearce made the remark in connection with her approach to the album, which she characterized as her most vulnerable work to date. She said the subject matter required openness from more than just herself, and that the reaction from people closest to the project reflected how unusual the combination could feel for some listeners.

According to the Fox News report, Pearce’s comments centered on her song’s framing, describing it as being about sex and Jesus. She said her inner circle found the direction intimidating, even as she continued toward the final version of the material.

The artist’s discussion also tied the album’s theme to its collaborators. The report says “Honest Woman” includes collaborations with Riley Green, Dan Tyminski, and Molly Tuttle, names that report a mix of country mainstream familiarity and bluegrass-influenced musicianship.

Pearce presented the album as a new chapter in her public-facing storytelling, with “Honest Woman” positioned as a deeper look at personal boundaries and the emotional cost of saying things plainly in song. In that framing, the “bit scary” reaction functioned as an example of how candid writing can raise concerns within a professional team.

As the album discussion circulates, it also highlights a recurring tension in country music between tradition and candor, particularly when faith language intersects with adult relationships. Pearce’s comments underscore that this theme was not merely a lyrical choice, but a decision that required internal communication around audience expectations and comfort.

The Fox News report did not provide additional details about the exact release timeline or the song’s title. For now, the reported emphasis is on Pearce’s intent to foreground vulnerability while navigating how collaborators and trusted supporters respond to material that mixes religious imagery with explicit romantic context.