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Christopher Nolan Says He Told Ryan Coogler It “Wasn’t Crazy” to Film “Sinners” in IMAX
The Apex Times

THE APEX TIMES

Culture/The Apex Times/Jun 27, 10:55 PM EDT

Christopher Nolan Says He Told Ryan Coogler It “Wasn’t Crazy” to Film “Sinners” in IMAX

In a recent recollection, the filmmaker behind major IMAX films described encouraging Ryan Coogler to use the premium format for his 2025 title “Sinners,” citing the high-resolution promise of the medium.

2 min readEditor-approved Apex article

Christopher Nolan said he recently reassured Ryan Coogler that it was “wasn’t crazy” to commit to IMAX for his 2025 film “Sinners,” recalling that he spoke with Coogler before the director made a decision about using the premium large-format technology. Nolan, who has long advocated for IMAX as a production and exhibition format, described personally guiding Coogler toward the choice in the lead-up to filming, according to Deadline.

Deadline reported that Nolan framed the conversation around the practical value of IMAX for cinematography and presentation, emphasizing the role the format can play in preserving and showcasing image detail. Nolan’s comments were tied to “Sinners,” which later earned Autumn Durald Arkapaw the Academy Award for Best Cinematography, reinforcing the film’s technical profile in the awards season.

Nolan’s recollection included a specific account of timing, saying Coogler reached out to him before making the decision to work in IMAX. Nolan described that pre-commitment contact as part of what led him to urge Coogler forward rather than treating the choice as an unusual gamble, according to Deadline.

The exchange also underscored the relationship between major directors and the large-format ecosystem. Nolan’s role as a prominent IMAX proponent has made him a frequent reference point in conversations about premium image-making, and his comments positioned his guidance of Coogler as an industry-to-industry transfer of expertise rather than a purely marketing pitch.

Within the context of “Sinners,” the focus on IMAX comes at a moment when large-format production decisions can have budgetary and scheduling implications for studios, theaters, and post-production pipelines. Nolan’s remarks place those operational considerations inside a broader creative decision, linking the choice of camera and exhibition format with the film’s subsequent recognition for cinematography.

Deadline’s report describes Nolan and Coogler’s collaboration as centered on the technical medium, not on changes to narrative or story content. The primary new element for readers is the confirmation that Nolan spoke with Coogler before he committed to IMAX, and that the conversation included an explicit reassurance that using IMAX would not be out of place.

Arkapaw’s Academy Award for Best Cinematography for “Sinners” provided the awards-era backdrop for Nolan’s comments, connecting the large-format production decision to a top craft honor. With the film already recognized at the Oscars, Nolan’s discussion now highlights how directors weigh premium formats early enough to shape the shoot rather than treating them as an afterthought.

Why It Matters

  • The comments highlight how major directors consult each other early in production when choosing premium formats that can affect cost and post-production workflows.
  • By linking IMAX to an Oscar-winning cinematography outcome for “Sinners,” the remarks add another industry data point to how large-format decisions translate into recognized craft.
  • The timing detail, that Coogler reached out to Nolan before committing, points to the importance of format decisions made during pre-production planning rather than after filming.
  • Nolan’s public emphasis on IMAX continues to reinforce the large-format ecosystem’s cultural and commercial role in mainstream studio releases.

Sources

Key Facts

  • Christopher Nolan said he reassured Ryan Coogler that it was “wasn’t crazy” to film “Sinners” in IMAX.
  • Nolan said Coogler called him before committing to IMAX for the 2025 film.
  • Deadline reported that Nolan’s comments were framed around IMAX as a high-resolution format that can support strong cinematography.
  • “Sinners” won an Academy Award for Best Cinematography, which went to Autumn Durald Arkapaw.
  • Nolan’s recollection described the IMAX decision as a pre-production conversation rather than a late-stage change.