Danny Boyle’s Rupert Murdoch Film ‘Ink’ to Receive December Theatrical Release via Netflix, Report Says

Danny Boyle’s new feature film “Ink,” based on the life of media executive Rupert Murdoch, is scheduled for a December theatrical release through Netflix, according to a report from The Hollywood Reporter published August 10, 2026. The film stars Jack O’Connell and Guy Pearce, and it is also expected to debut at next month’s Venice Film Festival, with the festival opening used as a launch platform before the wider release window.

The Hollywood Reporter said the film is slated to open next month’s Venice Film Festival. That placement would position “Ink” among the earliest large-scale, public-facing screenings of the project ahead of its later distribution in theaters through Netflix. Venice, held in late summer into early September, is typically an internationally watched event for films seeking credibility with critics and buyers before general release.

After the Venice opening, the report states the movie’s next major milestone is its December theatrical release. Netflix is described as the platform tied to that theatrical run, which can involve studio distribution partners and exhibition commitments designed to bring award-season films to cinemas rather than relying solely on streaming from the start.

The cast named in the report includes Jack O’Connell and Guy Pearce. Their roles are not detailed in the information provided here, but both actors are identified as leads for the dramatization centered on Rupert Murdoch. The project’s subject matter, involving a prominent figure in global media, places it squarely in a category of character-driven entertainment that also attracts interest from audiences following the film industry.

The report does not outline further production details in the information available here, including whether the film will follow a single-country theatrical plan or a broader rollout across multiple markets in December. It also does not specify the exact December day it will begin its theater run, or how long it will remain in cinemas before shifting to Netflix’s streaming library.

As with other festival-to-theatrical campaigns, a Venice opening can affect the film’s promotional timeline, including press schedules, critic screenings, and marketing assets that typically follow festival premieres. The December theatrical window also matters to exhibition partners and to audiences who prefer cinema viewings, since theatrical access can determine how quickly films become part of the awards conversation.

No additional legal or regulatory developments were included in the information provided here. If Netflix, the festival, or the filmmakers release more specifics later, including an exact calendar date, distribution geography, and any rating or content notices, those details would clarify how and where “Ink” will play in December.

The project remains on track to combine a festival debut at Venice with a subsequent December theater release under Netflix’s banner, with the report pointing to the sequence of events as the film’s next steps after its initial public premiere-setting. For audiences and industry observers, the key near-term developments are the Venice opening date and the eventual theater start date in December.