Culture Wire
CultureNetflix announces “Queenstown,” its first New Zealand series, an eight-episode drama created by Chloe StearnsThe Apex TimesCultureESPN Chairman Jimmy Pitaro Says Disney Unit Is Interested in Bidding for 2030 World Cup Media RightsThe Apex TimesCultureDrake Sends Video Message and Gifts to Streamer University Attendees, Congratulating Accepted InviteesThe Apex TimesCultureSuzanne Jackson, an experimental artist, opens her first major museum retrospective in an exhibition titled “What is Love”The Apex TimesCulture‘Age of Attraction’ Becomes Netflix’s Top New Unscripted Hit in First Half of 2026, Deadline SaysThe Apex TimesCultureLorde Criticizes Spotify’s AI “About the Song” Feature for Summarizing Music Content as MeaningThe Apex TimesCultureUFC’s McGregor-Holloway Rematch Draws 6.5M Average Viewers on Paramount+ in U.S. and Latin AmericaThe Apex TimesCultureNetflix expects 2026 content outlay to rise about 10%, CEO Ted Sarandos says AI savings have been used in 300 productionsThe Apex TimesCultureNetflix’s “What We Watched” report keeps canceled drama “The Boroughs” in Top 40 after most recent scripted release debutThe Apex TimesCultureNetflix says it will end biannual viewership reporting, switching to one engagement report per year starting in 2027The Apex TimesCultureNetflix Co-CEOs Address M&A Rumors, Say They Are Eyeing Strategic Moves, Including Possible Partnerships and FAST OptionsThe Apex TimesCultureNetflix plans to expand live event programming, citing early performance of BTS and Kevin Hart specialsThe Apex TimesCultureNetflix announces “Queenstown,” its first New Zealand series, an eight-episode drama created by Chloe StearnsThe Apex TimesCultureESPN Chairman Jimmy Pitaro Says Disney Unit Is Interested in Bidding for 2030 World Cup Media RightsThe Apex TimesCultureDrake Sends Video Message and Gifts to Streamer University Attendees, Congratulating Accepted InviteesThe Apex TimesCultureSuzanne Jackson, an experimental artist, opens her first major museum retrospective in an exhibition titled “What is Love”The Apex TimesCulture‘Age of Attraction’ Becomes Netflix’s Top New Unscripted Hit in First Half of 2026, Deadline SaysThe Apex TimesCultureLorde Criticizes Spotify’s AI “About the Song” Feature for Summarizing Music Content as MeaningThe Apex TimesCultureUFC’s McGregor-Holloway Rematch Draws 6.5M Average Viewers on Paramount+ in U.S. and Latin AmericaThe Apex TimesCultureNetflix expects 2026 content outlay to rise about 10%, CEO Ted Sarandos says AI savings have been used in 300 productionsThe Apex TimesCultureNetflix’s “What We Watched” report keeps canceled drama “The Boroughs” in Top 40 after most recent scripted release debutThe Apex TimesCultureNetflix says it will end biannual viewership reporting, switching to one engagement report per year starting in 2027The Apex TimesCultureNetflix Co-CEOs Address M&A Rumors, Say They Are Eyeing Strategic Moves, Including Possible Partnerships and FAST OptionsThe Apex TimesCultureNetflix plans to expand live event programming, citing early performance of BTS and Kevin Hart specialsThe Apex TimesCultureNetflix announces “Queenstown,” its first New Zealand series, an eight-episode drama created by Chloe StearnsThe Apex TimesCultureESPN Chairman Jimmy Pitaro Says Disney Unit Is Interested in Bidding for 2030 World Cup Media RightsThe Apex TimesCultureDrake Sends Video Message and Gifts to Streamer University Attendees, Congratulating Accepted InviteesThe Apex TimesCultureSuzanne Jackson, an experimental artist, opens her first major museum retrospective in an exhibition titled “What is Love”The Apex TimesCulture‘Age of Attraction’ Becomes Netflix’s Top New Unscripted Hit in First Half of 2026, Deadline SaysThe Apex TimesCultureLorde Criticizes Spotify’s AI “About the Song” Feature for Summarizing Music Content as MeaningThe Apex TimesCultureUFC’s McGregor-Holloway Rematch Draws 6.5M Average Viewers on Paramount+ in U.S. and Latin AmericaThe Apex TimesCultureNetflix expects 2026 content outlay to rise about 10%, CEO Ted Sarandos says AI savings have been used in 300 productionsThe Apex TimesCultureNetflix’s “What We Watched” report keeps canceled drama “The Boroughs” in Top 40 after most recent scripted release debutThe Apex TimesCultureNetflix says it will end biannual viewership reporting, switching to one engagement report per year starting in 2027The Apex TimesCultureNetflix Co-CEOs Address M&A Rumors, Say They Are Eyeing Strategic Moves, Including Possible Partnerships and FAST OptionsThe Apex TimesCultureNetflix plans to expand live event programming, citing early performance of BTS and Kevin Hart specialsThe Apex TimesCultureNetflix announces “Queenstown,” its first New Zealand series, an eight-episode drama created by Chloe StearnsThe Apex TimesCultureESPN Chairman Jimmy Pitaro Says Disney Unit Is Interested in Bidding for 2030 World Cup Media RightsThe Apex TimesCultureDrake Sends Video Message and Gifts to Streamer University Attendees, Congratulating Accepted InviteesThe Apex TimesCultureSuzanne Jackson, an experimental artist, opens her first major museum retrospective in an exhibition titled “What is Love”The Apex TimesCulture‘Age of Attraction’ Becomes Netflix’s Top New Unscripted Hit in First Half of 2026, Deadline SaysThe Apex TimesCultureLorde Criticizes Spotify’s AI “About the Song” Feature for Summarizing Music Content as MeaningThe Apex TimesCultureUFC’s McGregor-Holloway Rematch Draws 6.5M Average Viewers on Paramount+ in U.S. and Latin AmericaThe Apex TimesCultureNetflix expects 2026 content outlay to rise about 10%, CEO Ted Sarandos says AI savings have been used in 300 productionsThe Apex TimesCultureNetflix’s “What We Watched” report keeps canceled drama “The Boroughs” in Top 40 after most recent scripted release debutThe Apex TimesCultureNetflix says it will end biannual viewership reporting, switching to one engagement report per year starting in 2027The Apex TimesCultureNetflix Co-CEOs Address M&A Rumors, Say They Are Eyeing Strategic Moves, Including Possible Partnerships and FAST OptionsThe Apex TimesCultureNetflix plans to expand live event programming, citing early performance of BTS and Kevin Hart specialsThe Apex Times
Back to front
Flula Borg and Troy Kotsur wrap Los Angeles shoot on satirical horror film “The American Winner,” debut feature from Farbod Ardebili
The Apex Times

THE APEX TIMES

Culture/The Apex Times/Jun 29, 5:55 PM EDT

Flula Borg and Troy Kotsur wrap Los Angeles shoot on satirical horror film “The American Winner,” debut feature from Farbod Ardebili

The Oscar winner and the “Pitch Perfect” franchise performer completed principal photography in Los Angeles on the Iranian writer-director’s debut feature, a satirical horror story centered on a tech billionaire’s manipulation of markets.

2 min readEditor-approved Apex article

Flula Borg and Academy Award winner Troy Kotsur have wrapped production on the Los Angeles shoot of “The American Winner,” a satirical horror film from Iranian writer-director Farbod Ardebili. The project marks Ardebili’s feature debut, according to Deadline, and brings together Borg, known for roles tied to the “Pitch Perfect” franchise, and Kotsur, who won the Academy Award for his performance in “CODA.”

Deadline reports that the film’s storyline follows a megalomaniacal tech billionaire portrayed by Borg, whose power extends beyond personal influence into financial and market manipulation carried out from his residence. The central premise positions the character’s control as the engine of the film’s horror satire, with the script framing threats and consequences through the billionaire’s attempt to dominate systems from within home boundaries.

Ardebili is credited as the writer-director, and the production is described as having completed its Los Angeles phase of filming. Deadline characterizes the film as Ardebili’s debut feature and describes him as being behind prior work connected to Bad Grey and Plain Text, indicating an established writing background before this move into feature-length directing.

The cast and production news arrives as the industry continues to lean into genre blends, where horror elements are used to underscore social and economic anxieties. In this case, the satirical framing centers on tech and finance rather than on conventional monster-story mechanics, according to the description of the plot, with the billionaire’s market manipulation presented as a threat to broader order and stability.

While specific release timing, distribution plans, and additional cast members were not included in the Deadline report, the wrap of principal photography in Los Angeles indicates the production has moved into post-production. That next phase typically includes editing, visual effects, sound design, and music work, with final deliverables needed for marketing rollouts and distributor schedules.

Borg’s involvement also links the project to a performer with experience in commercial comedy and musical-leaning ensemble work, while Kotsur’s presence reflects a track record in grounded, character-driven storytelling at the awards level. Together, the two lead performances are expected to shape the film’s tone, balancing satire and horror mechanics around the billionaire plotline described by Deadline.

For filmmakers and industry workers involved in the Los Angeles shoot, a wrap generally triggers the labor and scheduling transitions that affect crews and post-production teams, including the transfer of footage for editorial and technical processing. For audiences, the production milestone indicates that “The American Winner” is progressing toward eventual release, though no premiere date was provided in the report.

Why It Matters

  • The project’s Los Angeles shoot wrap marks a production milestone that moves the film toward post-production workflows and staffing transitions.
  • As Ardebili’s feature debut, the film represents a new directing entry into the U.S. theatrical pipeline from an established writer background.
  • The plot’s focus on tech and market manipulation highlights ongoing screen interest in how economic power can disrupt public order and personal security.
  • The combination of Kotsur’s award-recognized acting and Borg’s franchise visibility could influence how studios position the film for audiences seeking genre satire rather than straight horror.

Sources

Key Facts

  • Flula Borg and Troy Kotsur have wrapped on the Los Angeles shoot of “The American Winner.”
  • The film is a satirical horror project from Iranian writer-director Farbod Ardebili.
  • Deadline describes the plot as centering on a megalomaniacal tech billionaire who manipulates markets from his residence, portrayed by Borg.
  • Troy Kotsur is an Academy Award winner for “CODA,” and Flula Borg is associated with the “Pitch Perfect” franchise, per the report.
  • The project is described as Ardebili’s debut feature.
  • The Deadline report does not include a release date, distributor, or complete cast list.
Flula Borg and Troy Kotsur wrap Los Angeles shoot on satirical horror film “The American Winner,” debut feature from Farbod Ardebili | The Apex Times