Mia Sara, who played Sloane Peterson in Ferris Bueller’s Day Off, says she “ditched” Hollywood and alludes to tensions on set

Mia Sara, best known for playing Sloane Peterson, the girlfriend of Ferris Bueller in Ferris Bueller’s Day Off, said she has “ditched” Hollywood and suggested there was “bad blood” during the making of the 1986 comedy, according to an interview reported by Page Six on June 22, 2026. The report frames Sara’s comments around how the production environment shaped her view of the project and her later career choices.

Page Six said Sara reflected on her time in the role and discussed why she stepped away from Hollywood. The report describes her as hinting at strained relationships on set and presenting her reasons for leaving the industry as connected to what she encountered while working on the film.

The report also characterizes Sara’s comments as a diss of the iconic movie, with Page Six writing that she hinted at “bad blood” and gave an explanation for why she departed the mainstream entertainment pipeline. While the article positions those remarks as a candid behind-the-scenes look, it does not provide specific names, dates, or documented on-set incidents in the material made available for this story.

Ferris Bueller’s Day Off remains a widely known title, and Sara’s comments land in a period when classic film casts and audiences are still engaging with legacy projects through anniversaries, streaming availability, and recurring pop-culture discussion. In that context, Page Six’s account situates Sara’s story as a personal explanation of career distance rather than a formal, on-the-record dispute filed with studios, unions, or courts.

The interview also adds to the broader public conversation about how productions handle workplace dynamics, especially on sets built around youth casting and high-profile comedic schedules. Although the Page Six report points to tension, it does not, in the information reviewed here, identify a specific contractual dispute, labor complaint, or legal proceeding tied to the alleged “bad blood.”

For readers and fans, the most immediate takeaway is the framing of Sara’s departure from Hollywood as a deliberate choice rooted in her experience on a major mainstream film. In the absence of additional sourcing in the material provided here, the reported claims should be understood as personal characterizations by Sara as recounted by Page Six.

There is no indication in the available packet that studio representatives, production personnel, or other cast members have issued a response to Sara’s remarks. Further reporting, including any corroborating statements from those involved, would be needed to clarify whether her characterizations refer to interpersonal friction, production culture more broadly, or specific events during filming.