Culture Wire
CultureTIFF Adds Special Screening of Zack Snyder’s ‘The Last Photograph’ at New John Bassett TheatreThe Apex TimesCultureUniversal Music Latino and YaBoyy to Launch New Reparto Platform and Series in Miami for Hispanic Heritage MonthThe Apex TimesCultureKino Lorber Acquires North American Rights to IDFA-Prize Documentary “A Fox Under a Pink Moon”The Apex TimesCultureVenice Film Festival says its jury opening press conference will proceed amid weekend cancellation rumorsThe Apex TimesCultureHoward Stern’s SiriusXM Program to Move to Weekly Streamed Episodes on HBO Max Starting Sept. 17The Apex TimesCultureGuardian series revisits the “comfort cry” appeal of the 1994 Little Women adaptationThe Apex TimesCulture‘Babylon Berlin’ ends with a final season covering Hitler’s rise, as creators draw lines from Weimar-era turmoil to modern politicsThe Apex TimesCultureAlex Cooper’s Unwell to Launch “Unwell Summer Games” on YouTube on Sept. 7The Apex TimesCulture‘Sumo: Spirit Weighs Nothing’ gets Venice Film Festival first look with rare access behind the ringThe Apex TimesCultureZurich Film Festival adds Danny Boyle’s “Ink” alongside “Bunker,” “Club Kid,” and Lauren Miller Rogan’s “Babies”The Apex TimesCultureFreida Parton posts tribute to late country star Dolly Parton, citing years of sisterly argumentsThe Apex TimesCultureCarlos Reygadas’ “Heil Jupiter!” Secures International Sales Deal With Mk2 Films Ahead of New York Film Festival PremiereThe Apex TimesCultureTIFF Adds Special Screening of Zack Snyder’s ‘The Last Photograph’ at New John Bassett TheatreThe Apex TimesCultureUniversal Music Latino and YaBoyy to Launch New Reparto Platform and Series in Miami for Hispanic Heritage MonthThe Apex TimesCultureKino Lorber Acquires North American Rights to IDFA-Prize Documentary “A Fox Under a Pink Moon”The Apex TimesCultureVenice Film Festival says its jury opening press conference will proceed amid weekend cancellation rumorsThe Apex TimesCultureHoward Stern’s SiriusXM Program to Move to Weekly Streamed Episodes on HBO Max Starting Sept. 17The Apex TimesCultureGuardian series revisits the “comfort cry” appeal of the 1994 Little Women adaptationThe Apex TimesCulture‘Babylon Berlin’ ends with a final season covering Hitler’s rise, as creators draw lines from Weimar-era turmoil to modern politicsThe Apex TimesCultureAlex Cooper’s Unwell to Launch “Unwell Summer Games” on YouTube on Sept. 7The Apex TimesCulture‘Sumo: Spirit Weighs Nothing’ gets Venice Film Festival first look with rare access behind the ringThe Apex TimesCultureZurich Film Festival adds Danny Boyle’s “Ink” alongside “Bunker,” “Club Kid,” and Lauren Miller Rogan’s “Babies”The Apex TimesCultureFreida Parton posts tribute to late country star Dolly Parton, citing years of sisterly argumentsThe Apex TimesCultureCarlos Reygadas’ “Heil Jupiter!” Secures International Sales Deal With Mk2 Films Ahead of New York Film Festival PremiereThe Apex TimesCultureTIFF Adds Special Screening of Zack Snyder’s ‘The Last Photograph’ at New John Bassett TheatreThe Apex TimesCultureUniversal Music Latino and YaBoyy to Launch New Reparto Platform and Series in Miami for Hispanic Heritage MonthThe Apex TimesCultureKino Lorber Acquires North American Rights to IDFA-Prize Documentary “A Fox Under a Pink Moon”The Apex TimesCultureVenice Film Festival says its jury opening press conference will proceed amid weekend cancellation rumorsThe Apex TimesCultureHoward Stern’s SiriusXM Program to Move to Weekly Streamed Episodes on HBO Max Starting Sept. 17The Apex TimesCultureGuardian series revisits the “comfort cry” appeal of the 1994 Little Women adaptationThe Apex TimesCulture‘Babylon Berlin’ ends with a final season covering Hitler’s rise, as creators draw lines from Weimar-era turmoil to modern politicsThe Apex TimesCultureAlex Cooper’s Unwell to Launch “Unwell Summer Games” on YouTube on Sept. 7The Apex TimesCulture‘Sumo: Spirit Weighs Nothing’ gets Venice Film Festival first look with rare access behind the ringThe Apex TimesCultureZurich Film Festival adds Danny Boyle’s “Ink” alongside “Bunker,” “Club Kid,” and Lauren Miller Rogan’s “Babies”The Apex TimesCultureFreida Parton posts tribute to late country star Dolly Parton, citing years of sisterly argumentsThe Apex TimesCultureCarlos Reygadas’ “Heil Jupiter!” Secures International Sales Deal With Mk2 Films Ahead of New York Film Festival PremiereThe Apex TimesCultureTIFF Adds Special Screening of Zack Snyder’s ‘The Last Photograph’ at New John Bassett TheatreThe Apex TimesCultureUniversal Music Latino and YaBoyy to Launch New Reparto Platform and Series in Miami for Hispanic Heritage MonthThe Apex TimesCultureKino Lorber Acquires North American Rights to IDFA-Prize Documentary “A Fox Under a Pink Moon”The Apex TimesCultureVenice Film Festival says its jury opening press conference will proceed amid weekend cancellation rumorsThe Apex TimesCultureHoward Stern’s SiriusXM Program to Move to Weekly Streamed Episodes on HBO Max Starting Sept. 17The Apex TimesCultureGuardian series revisits the “comfort cry” appeal of the 1994 Little Women adaptationThe Apex TimesCulture‘Babylon Berlin’ ends with a final season covering Hitler’s rise, as creators draw lines from Weimar-era turmoil to modern politicsThe Apex TimesCultureAlex Cooper’s Unwell to Launch “Unwell Summer Games” on YouTube on Sept. 7The Apex TimesCulture‘Sumo: Spirit Weighs Nothing’ gets Venice Film Festival first look with rare access behind the ringThe Apex TimesCultureZurich Film Festival adds Danny Boyle’s “Ink” alongside “Bunker,” “Club Kid,” and Lauren Miller Rogan’s “Babies”The Apex TimesCultureFreida Parton posts tribute to late country star Dolly Parton, citing years of sisterly argumentsThe Apex TimesCultureCarlos Reygadas’ “Heil Jupiter!” Secures International Sales Deal With Mk2 Films Ahead of New York Film Festival PremiereThe Apex Times
Back to front
Tokyo Broadcasting System and A. Smith & Co. develop luck-based competition series “Dumb Luck” for U.S.
The Apex Times

THE APEX TIMES

Culture/The Apex Times/Jul 13, 2:53 PM EDT

Tokyo Broadcasting System and A. Smith & Co. develop luck-based competition series “Dumb Luck” for U.S.

Tokyo Broadcasting System (TBS), developer of Japan’s Ninja Warrior franchise, and A. Smith & Co. Productions, which produces the U.S. version for NBC, are partnering again to adapt the Japanese format “Kisuke” into a new luck-driven competition series titled “Dumb Luck.”

2 min readEditor-approved Apex article

Tokyo Broadcasting System (TBS) and A. Smith & Co. Productions are developing a new U.S. competition series based on a Japanese format that relies on luck rather than pure physical performance, according to a report by Deadline. The project, titled “Dumb Luck,” is described as an adaptation of “Kisuke,” a competition concept associated with the Ninja Warrior ecosystem in Japan.

The collaboration brings together two companies that have previously worked on the American version of “Ninja Warrior.” Deadline reports that TBS is the Japanese company behind the Ninja Warrior format, while A. Smith & Co. Productions produces the U.S. series for NBC. The two firms are now teaming up again, this time for a separate competition property built around luck-based outcomes.

Deadline describes “Dumb Luck” as being developed for the United States, with “Kisuke” cited as the originating format. The adaptation is characterized in the report as a competition series that will incorporate luck as a central element of how challengers progress or compete, rather than a straightforward measure of technique or strength alone.

The report does not provide additional production details, such as a network or streaming home for “Dumb Luck” in the U.S., an episode order, or a stated premiere timeline. As described, the project remains in development as the partners work through translation of the format from Japan to U.S. audiences.

While the Ninja Warrior brand is already familiar to viewers through the American series that A. Smith & Co. Productions produces for NBC, “Dumb Luck” would represent a different kind of competition premise. Deadline’s framing emphasizes the luck-based structure drawn from the Japanese “Kisuke” concept, suggesting the producers are looking to keep audiences engaged through unpredictability rather than solely through obstacle-course results.

For viewers, the main immediate impact is that the pairing of established Ninja Warrior producers is expanding into a separate format adaptation. For the companies involved, the deal highlights continued investment in competition programming built on international IP, using a proven production partnership as a foundation for new U.S. properties.

For now, the key next step is continued development of the “Dumb Luck” adaptation, including how the “Kisuke” luck element is translated into U.S. rules and production design. The report indicates the series is being developed, but further announcements would be needed before audiences can confirm the casting process, production schedule, or where the series will ultimately air or stream.

Why It Matters

  • The U.S. adaptation indicates continued international format development by two companies already linked to a major competition franchise in Japan and the United States.
  • A luck-based competition structure could affect how audiences perceive fairness and outcomes compared with performance-only challenge formats, depending on how rules are adapted.
  • The project’s development status means distribution and production timelines are not yet set publicly, affecting when viewers can expect any related announcements.
  • For the television market, new competition formats can influence scheduling and investment decisions by networks and streamers, particularly those seeking established audience engagement from recognizable production teams.
  • The adaptation will require translation of the original “Kisuke” mechanics into U.S. production and gameplay design, a step that typically drives later announcements on casting and episode format.

Sources

Key Facts

  • TBS and A. Smith & Co. Productions are developing a U.S. competition series titled “Dumb Luck.”
  • The series is based on the Japanese format “Kisuke.”
  • Deadline characterizes “Dumb Luck” as a luck-based competition series.
  • TBS is described as the Japanese company behind the Ninja Warrior format.
  • A. Smith & Co. Productions is described as the company that produces the U.S. Ninja Warrior version for NBC.
  • The companies are described by Deadline as partnering again, following their prior collaboration on the American Ninja Warrior property.