Business headlines from the Apex backend, organized by sectors and major public companies for faster market scanning.
The May 8 show at Teatre Grec is being repackaged into a Spotify-exclusive concert film, featuring Rodrigo’s Billions Club-era hits and her first-ever live performance of “drop dead.”
THE APEX TIMES
THE APEX TIMES
In a May 28 update, Spotify said it is expanding core library and playback tools, including mobile playlist folders for all users and new Premium controls for queue management and iOS offline downloads.
THE APEX TIMES
As AI workloads strain memory bandwidth and energy efficiency, Intel’s advanced packaging strategy is turning interconnect design inside the package into a central lever of performance. In a new interview, Intel Fellow Ravi Mahajan describes how EMIB’s “embedded silicon bridge” emerged and why packaging is now shaping architectures, not just supporting chips.
THE APEX TIMES
The company says it will expand cross-industry scam disruption, add a ticket-safety reminder for searches and groups, and roll out additional moderation tools aimed at players, teams, and public figures.
THE APEX TIMES
The company highlighted Intel Core Ultra Series 3 adoption in a multi-agent retail robot, and launched OpenVINO Physical AI to reduce the integration work needed to deploy physical AI fleets.
THE APEX TIMES
The CRM and enterprise AI company plans a Paris AI Innovation Hub, workforce and philanthropy programs, and continued growth of its Agentforce platform across French customers and partners.
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The deal, announced June 1, 2026, is expected to close in Salesforce fiscal 2027’s third quarter, pending regulatory approvals. Salesforce says Contentful will help it assemble personalized customer experiences across channels with less content fragmentation.
THE APEX TIMES
First Officer Tom Cohan describes how early family support, hands-on maintenance work, and a people-first mindset shaped his path to Delta.
THE APEX TIMES
Disney and Pixar are leaning into star power for “Toy Story 5” with a new original track from Taylor Swift, along with multiple CD editions and a soundtrack appearance tied to the film’s release.
