Editor-approved stories from the Apex backend published-article feed.
A staffer who worked with Reed in his last period at The New York Observer described the late critic as difficult to work with and said an editor-like role fell to a young colleague who served as confidant and last-minute proofreader.
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The DC festival screened “Amazomania,” a documentary that revisits early jungle footage of a Swedish filmmaker and journalist and examines the ethics of documenting uncontacted Indigenous communities.
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In a new memoir, the Grammy-nominated singer Anne Wilson says she faced industry pressure to soften a faith-forward message, describing lost opportunities while insisting she will not back down.
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At the Taormina film festival, the actor said his resistance in 2000 to studio requests for explicit scenes was rooted in his belief the original story would not work if its focus shifted away from its moral center.
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A June 13 gallery compiled recent social-media and paparazzi-style images featuring Kylie Jenner’s return to Los Angeles, Shawn Mendes and Bruna Marquezine on the beach, Kesha at Cipriani Downtown, and appearances by Gabrielle Union, Johnny Knoxville, Amelia Gray Hamlin and others.
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Fenton Bailey and Randy Barbato, co-founders of World of Wonder, sat down with Werk Room Weekly hosts to talk about their new over-the-top comedy and the long creative path that led to Drag Race.
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At the Monte-Carlo Television Festival, Jeffrey Dean Morgan and Lauren Cohan discussed how the next season of AMC’s “The Walking Dead: Dead City” will shift the on-screen partnership between Negan and Maggie. The cast said the new run aims to take their characters in directions the series has not previously explored.
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At the 65th Monte-Carlo Television Festival, Kristin Scott Thomas accepted the Golden Nymph Award and later discussed her work on Apple TV+’s Slow Horses, while also teasing a second movie project she is writing and directing.
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A new BBC arts report highlights how David Hockney’s paintings and drawings challenged social taboo by portraying calm, domestic scenes of gay relationships during an era when the law treated homosexuality as a crime.
